Sunday, October 31, 2010

Luzianne Tea For Bleeding

pause for reflection as you want me


This film has received a countless series of s crosscut. Starting from that, however funny, friend X (I can not Swedish
particular his name) on his blog . Yet this film has had a particular fascination for me. Beneath the surface is apparently slight and trivial
hides a nice sociological discussion of modern times, a vision of consumerist society
about to appear, where even those who must give substance to this law to bring out what has inside. Not for nothing that the film revolves around the faculty of Science of Communication, as if to do in general corince colorful fresco of characters who populate the film.
Giada Ferretti (Cristina Capotondi) is a student out of office in Rome, rising from the province to the big city. And 'the stereotype of the girl involved, who takes everything seriously, and irony do not know can not play down. To complete it all comes to the rescue ugly not recently, highlighted by a dress that resembles the military blankets infested with worms.
is haunting the university where he is at home as the bookworms that live there and never leaves the brain clear: you look around, and analyzes the social phenomena of mass media
condemning in no uncertain terms. In short, as good as boring as hell. On the day of meets Richard Cross, Young Daddy's boy full of money, a little jerk,
foolish enough, full of money and its not surrounded by a circle of friends made of young girls like him and chickens, although firmatissime truccatissime and silly enough. Full € dear, to survive in Rome, Giada (originally from Burin, although speaks fluent Italian) began to give private lessons to make ends meet. Put the ad in the faculty, lost ten thousand others, and fate cynical and cheating takes his. To call it "the dark " it is Richard. They will meet at his house for the first lesson. For her a thorn in the side for him yet another chance to make the piacione with her, bluntly called a "bidet-haired." Gal eotto was the announcement and who wrote it, some would say, socially engaged because the ugly is starting to show signs of yielding to the handsome jerk. He, too, like "Bloody Mary", another term coined by him, but the body is totally repulsive. What to do? Jade and gives you advice from her cousin buzzicona tastes peasants, going around to try clothes shops and clothing samples of indecency. Yet it is precisely here that Sarah, the buzzicona cousin, pitted one pearl of wisdom that will remain in focus to the general public, and not paying:

"Gggiadaaah Ah! The history of inner beauty .... It '' CAZZATAA NO! "
Noting this, Jade decides that maybe it is better to go on patrol alone to shopping
without the cumbersome company Sara. At the English Steps, gazing in the windows of his closed Lacoste sweater felted and decorated with lilies Florentine meets Flame. Flame, a friend of Richard, it will become her Pygmalion transformation is aesthetically and socially. To the point that teach the basics of relations futile and empty. When asked "how are you?" Flame clarify things to Jade, to avoid suggesting the sincerity which no one really wants, taking refuge in Latin metrics through this rhyme:


how are you? - Love me?
combining? - Big mess, let it be -
nice dress! - Just picked up -
big party - vodka tonic -
what a mess, and 'dead pine - a bit' sciattino

A little makeup and wigs, the right clothes and the ugly duckling becomes a "topatomica, this time another nickname coined by his cousin Richard Loris, who sees her squirming at a rave boys "good" while showing deep necklines and large pieces of thigh. Attached, of course, a bottle of vodka, ça va sans dire ...


short, the old Jade becomes how the public wants. Richard can finally have it on repeat without feeling disgust. But Richard will change one evening, while the new Giada even with the new body there is terrible. We think the university to make them meet again in different roles and with predictable consequences.
No doubt the film's plot is based on clay, not to mention the mud, but it is not to be exalted. What is enhanced are the themes that the film highlights, namely the eternal conflict between the appearance and being. What matters most between the two? The response to cold may seem obvious, but a hot discussion suggests not. What in fact the film seems to suggest that the final solution is this: are functional and appear to be, not to say complementary to each other. In a metaphor that is not closed to mere aesthetics, beauty or ugliness outright end in itself. The appearance can help to move forward and better brain substance which has been attracting more attention with. Focus on their cultural and spiritual formation, even when the appearance that mother nature has endowed us with is not much, it is a necessary exercise if you do not want to end up trapped in the emptiness of a life that could lead to the ephemeral breeze.
I'll be I've seen all this under the influence of hallucinogenic substances that I could not be, or this film remains the boiata it seems?
to you comments!

Saturday, October 30, 2010

Long Term And Short Term Of Syphilis

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Tuesday, October 26, 2010

Module 1 Test: How Much Do You Remember?

Welcome to the south.

The world of work here in the south is a disgrace!
Before I did not believe or rather I did not know how the thing must be because I studied, I have a vague idea, but I did not know it was so hard, or rather a shame the world of work.
At least here in the south, only because I sent a resume to the north and also by mistake, but they called me and I had to refuse to excessive fees.
But now I find myself doing a lousy course that lasts four days, to clean hotel rooms, and on the phone telling me that it was also a reception.
A shame!
But what is shocking and makes me really upset by that, it is recommended that the idiots behind a desk and maybe not even happy with their work, and graduates (typical IO),
to do jobs that are not within our competence.
But I know what I want and sooner or later I'll get to the goal, I can relaizzare my dreams.
But for me I need not apply .. nobody ... NOBODY.
One day only thank myself.
people as it is, sooner or later emerge from the anonymous mass that surrounds .. Today I find myself
frequenatare a course to wash ashore, tomorrow will no longer be so, because I have helped her alone ... Who has it and part art, but it's only ever intended to do what was given, and will never progress, because it does not have the capacity.
start from zero and remain zero.
I needed to vent, after the crap I've seen in recent days.

Sunday, October 24, 2010

Lice Shamoo In Pregnant Women



















Thursday, October 21, 2010

White Film On Items From Dishwasher

Passion - John Turturro

E 'possible to make a documentary film focused on the Neapolitan song and at the same time, describe the city and those who live to the rhythm of the music drawing from a fresco of notes and colors that for once are not stereotypical, worn or trivial? John Turturro seems to have succeeded very well, with skill and accuracy of a Goethe the 2000s with his latest work entitled "The Passion". Although the title is a bit rhetorical and somewhat inflated, however, be difficult to find different, but the shoe horns with rhythm and music content of the film. Walking Naples, Spaccanapoli to "quarters" - English - , Piazza del Gesu in via Duomo, the city is open to public view, where words and music and interviews are mixed in the newspaper of Naples, its tourists and its songbooks. Undisputed star is the Neapolitan song. Not the melodious neo unbearable that translates into hundreds of thousands of CDs favz (false) with their faces smeared by ink-jet printers or Gigi D'Alessio Nino D'Angelo, easily repereribili stalls on Via Roma. This documentary film is the classic Neapolitan songs, sounds and virtuoso reinterpretation of all current and sung by glorious voices of the Neapolitan repertoire: Peppe Barra, Gennaro Cosmo Parlato, Stone Montecorvino, Massimo Ranieri, Raiz. Rarely have heard of the executions so beautiful, vibrant and exciting. Do not think I have ever heard a Black Tammuriuata mixed with Pistol Packin Mama song as well and keen to Peppe Barra, Max Casella and M'Barka Ben Taleb c he added the note sharp Recall Berber indescribable charm.
Dances, songs, music and solos, mix gently to interviews with singers and groups, including the Avion Travel. As stated by
Cinefilante , this film will leave surely the sign for its soundtrack. I did not leave until the peaceful soundtrack will not be soon available on CD!

Poofy Prom Dress With Pockets

Adèle and the enigma of Pharaoh


Prologue

I introduce myself to the movies without the slightest knowledge of what I was going to see. It was as usual one of those calls for so-called "ad aggregation, that is where you should not play any active role in the choice of film or of the room, except to say" yes I am, tell me time and place "or" I I will not be sorry. " E 'curious to see how this scheme, which I usually find myself applying more for the theater, is also gradually involving cinema.L 'aggregation has been led by Cinefilante together with mutual friends that gave us the conference Doria cinema to see this film by Luc Besson.

Conduct

The young heroine Adèle Blanc-Sec is a sort of Indiana Jones in the first 900 whose purpose in life is to heal his sister Agathe who lives now in a catatonic state due to a probe for hair stuck behind his head and that passes through the head, the result of an accident during a game of tennis. Together with Professor Marie-Joseph Esperandieu (graduate Fisch in 16 years, as the narrator tells us early in the film) and its extraordinary potential to revive the dead, will attempt to resurrect the mummy of a pharaoh's personal physician for you to find a cure or a way to heal his sister. Wandering through Egypt, in the midst of treasure hunters to the pyramids, daring racing to carry the coffin from Cairo to Paris and the birth of a pterodactyl flying over the city, the adventurous and spirited Adele finds himself get by with mummies, ethnographers , clumsy cops and dilapidated hunters. All seasoned with a few special effects and a fantastic story that is not an end in itself but it is pleasant and well-measured pace. A special mention

the costumes deserve: beautiful, well kept and great taste. A very special note to a fantastic film which should usually call attention to action and not the almost maniacal attention to detail and materials used.

Sunday, October 10, 2010

Big Boobshigh Res Boobs

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Wednesday, October 6, 2010

Acrostic Poem Of The Enlightenment

.....

To than you might want something, people who suffer most are those who do not know what they want.

Monday, October 4, 2010

In Public Without Underwear

Two matches

Full '60s. Four Italian bourgeois ladies meet every Thursday at the home of each rotation to play Rummy. Their daughters in the other room to play to the ladies - like their mothers - and cutting out pictures of Princess Grace of Monaco by the magazines. You play, you drink tea, smoke, especially speaking. There is much talk, often harshly, in their lives and their dreams, often broken or repressed or rejected. And the chats you up and down in a succession of invective, anger, hysteria and take some small reassurance. Beatrice is expecting a baby and the last grief, with a leap in time, leads the audience in the '90s where the daughters are working together to comfort the mourning of Sarah, daughter of Beatrice, who lost her mother in those days.
Through this boundary between the ideal world of mothers, framed in the '60s, and her daughter ended in the '90s, sets out a framework of two orders whose common features are the same even though thirty years have elapsed and a generation.
The picture of the bourgeois world is truly family-60s well made: in the mirror of the times was required simply (!) that women are good wives and good mothers, disabled people in the kitchen, make up and combed Mina as crickets and possibly without his head. At least in appearance. But beneath the enamel of self-righteous perfection, through the heated conversations of the characters, we discover a world where the personal and emotional dissatisfaction is the master. There are those who deny it to the mask almost like Claudia, but whoever evisceration with rabid cynicism and suffering as Sofia. Who does not want to surrender and hope for a better future as Beatrice, except having to confess that the lack of communication and the emotional void created for building a respectable appearance and vacuous, have slowly led his mother to suicide. And here come out stories of betrayal, implemented or against or simply want. Each tells their stories, providing them with the personal vision of life of each of them reverberating hope, disillusionment, acquiescence or mere nihilism.
The dialogue is certainly the successful lead of this film, although they remain the best ones of the first part of the movie where the protagonists are the "mothers" of the '60s. Among these are sure to frame the two monologues of Sofia, the first where he tells his daughter how to describe their parents in everyday life:

- ... laugh out of here, you dress smart and go to meet people. Give me a goodnight kiss and run away. We separate the house, returned late at night, each its own. Make up like two teenagers uncombed, rumpled clothes ... happy! And the happiness on your faces off with the click of the light at the entrance -

the second sequence on motherhood / marriage / personal development:

- ... we enjoy seeing our body swollen like a balloon, to give up talent to freedom. We want to be related to someone even if it chokes! We want to be someone else! And there is no end! There is no cure! -

Years pass. The daughters grow up. Years have passed. Do not you listen more to Mina "A year of love," not driving the Lancia Fulvia. Change the vocabulary and language. But the eternal themes of family, love relationships that dominate the story does not change. And the problems of the daughters are the same mothers who had thirty years ago.

Born as a theatrical piece with the same actresses, its film version is even tastier. A small masterpiece written by Cristina Comencini and elegantly directed by Enzo Monteleone. You ask if I liked it? The answer is yes. And even more!

Sunday, October 3, 2010

American Silver Eagle Vs. Canadian Silver Maple

... Finally

<<- E ti conformi a coloro che non hanno una spiegazione?- No - disse Etienne -, ma nel frattempo faccio cose che nascondono il gusto cattivo di vuoto. E questa è, in fondo, la miglior definizione di homo sapiens.>> ...