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very little new under the spotlight. The usual system of parallel stories that slide independently, albeit linked by a common thread, and then intersect all together in one plot and an ending that create us with this romantic open a window (dimly lit) on the future. As a movie, "Clint Eastwood signed" had already left his overstated. It lets you see without too much enthusiasm, but it can not be considered a masterpiece.

three protagonists: a rampant French TV journalist Marie Le Lay (Cécile de France), a medium mechanical engineering George Lonegan (Matt Damon) and two British twins, Marcus and Jason, crescitui educated and social services of the Crown and the mother hopelessly toxic and covered with holes. The first ends of the tsunami swept away in Phuket but miraculously still alive (or better ... miraculously returned to life). The second pallet to shipyards prefer to download rather than resume his old occupation of the medium, a reliable source of torment for the continuous visions on the world that he was forced to endure every time you shake someone's hand. Third, the twins, joined by both the DNA from that disaster of a toxic mother, are separated by Sister Death due to an accident caused by the usual street bullies. Marcus is now without his brother Jason and of course can not live without. I prefer not to dwell on industrial quantities of stain to unnecessary downtime and add nothing to the plot, if not embarrassing the intention of bringing him finally beyond measure the length and the shape of a film. The theme of the paranormal, the one that should have been the cornerstone of the film is little if anything developed. But above all melee two strands within the macrocosm of the paranormal, but that should be explored and expanded on a individual and in-depth: that of the NDE (Near Death Experience - NDE) and that of séances and contact with the dead. For the sake of the plot are tied together two things surreptitiously, but it is clear that are functional only to history and certainly not all'l'argomento. In fact, if the character of Marie Le Lay is the bearer of near death experiences, while the George Lonegan is the medium, one of the twins tries to act as a link between the two, but without adding any value.

In a nutshell, this is a film where you can safely wait for the satellite or digital terrestrial, but we can easily save the money for the ticket to the movies.