This film has received a countless series of s crosscut. Starting from that, however funny, friend X (I can not Swedish
This film has received a countless series of s crosscut. Starting from that, however funny, friend X (I can not Swedish
E 'possible to make a documentary film focused on the Neapolitan song and at the same time, describe the city and those who live to the rhythm of the music drawing from a fresco of notes and colors that for once are not stereotypical, worn or trivial? John Turturro seems to have succeeded very well, with skill and accuracy of a Goethe the 2000s with his latest work entitled "The Passion". Although the title is a bit rhetorical and somewhat inflated, however, be difficult to find different, but the shoe horns with rhythm and music content of the film. Walking Naples, Spaccanapoli to "quarters" - English - , Piazza del Gesu in via Duomo, the city is open to public view, where words and music and interviews are mixed in the newspaper of Naples, its tourists and its songbooks. Undisputed star is the Neapolitan song. Not the melodious neo unbearable that translates into hundreds of thousands of CDs favz (false) with their faces smeared by ink-jet printers or Gigi D'Alessio Nino D'Angelo, easily repereribili stalls on Via Roma. This documentary film is the classic Neapolitan songs, sounds and virtuoso reinterpretation of all current and sung by glorious voices of the Neapolitan repertoire: Peppe Barra, Gennaro Cosmo Parlato, Stone Montecorvino, Massimo Ranieri, Raiz. Rarely have heard of the executions so beautiful, vibrant and exciting. Do not think I have ever heard a Black Tammuriuata mixed with Pistol Packin Mama song as well and keen to Peppe Barra, Max Casella and M'Barka Ben Taleb c he added the note sharp Recall Berber indescribable charm.
Prologue
I introduce myself to the movies without the slightest knowledge of what I was going to see. It was as usual one of those calls for so-called "ad aggregation, that is where you should not play any active role in the choice of film or of the room, except to say" yes I am, tell me time and place "or" I I will not be sorry. " E 'curious to see how this scheme, which I usually find myself applying more for the theater, is also gradually involving cinema.L 'aggregation has been led by Cinefilante together with mutual friends that gave us the conference Doria cinema to see this film by Luc Besson.
Conduct
The young heroine Adèle Blanc-Sec is a sort of Indiana Jones in the first 900 whose purpose in life is to heal his sister Agathe who lives now in a catatonic state due to a probe for hair stuck behind his head and that passes through the head, the result of an accident during a game of tennis. Together with Professor Marie-Joseph Esperandieu (graduate Fisch in 16 years, as the narrator tells us early in the film) and its extraordinary potential to revive the dead, will attempt to resurrect the mummy of a pharaoh's personal physician for you to find a cure or a way to heal his sister. Wandering through Egypt, in the midst of treasure hunters to the pyramids, daring racing to carry the coffin from Cairo to Paris and the birth of a pterodactyl flying over the city, the adventurous and spirited Adele finds himself get by with mummies, ethnographers , clumsy cops and dilapidated hunters. All seasoned with a few special effects and a fantastic story that is not an end in itself but it is pleasant and well-measured pace. A special mention
the costumes deserve: beautiful, well kept and great taste. A very special note to a fantastic film which should usually call attention to action and not the almost maniacal attention to detail and materials used.
Full '60s. Four Italian bourgeois ladies meet every Thursday at the home of each rotation to play Rummy. Their daughters in the other room to play to the ladies - like their mothers - and cutting out pictures of Princess Grace of Monaco by the magazines. You play, you drink tea, smoke, especially speaking. There is much talk, often harshly, in their lives and their dreams, often broken or repressed or rejected. And the chats you up and down in a succession of invective, anger, hysteria and take some small reassurance. Beatrice is expecting a baby and the last grief, with a leap in time, leads the audience in the '90s where the daughters are working together to comfort the mourning of Sarah, daughter of Beatrice, who lost her mother in those days.